Inspector Mills

Written by Gerry Beckley, ©1982
Found on
View From The Ground,
The Very Best Of America,
America In Concert (95),
You Can Do Magic, and
Highway.
Inspector Mills I'd like to tell you 'bout a girl I saw
At a party just the other night in Beverly Hills
Inspector Mills I hope you find her and it don't take long
Watch my feelings for her growing strong in a war of wills
Inspector Mills
I can't attempt to point you in her direction
I didn't see her walking out of the door
If I had taken my time she'd be standing here still
Inspector Mills
I recall once in my life I felt this way before
But I let her go and close the door, walk away
Inspector Mills I can't attempt to show the hurt in me
And just how much I need the company; search the valleys and the hills
You gotta find her Mr. Mills
I can't attempt to point you in her direction
I was blinded by the look in her eyes
If I had taken my time she'd be sitting here still
Inspector Mills
Oo, someday soon I might be in love with her
Inspector Mills I guess you've taken quite a look around
Yes I've heard the word from underground, she's gone for good
Inspector Mills is it any crime for a fool like me
Try to use your time 'cause I wanna see; you just send me the bill
Inspector Mills, Inspector Mills
I can't attempt to point you in her direction
I didn't see her walking out of the door
If I had taken my time she'd be lying here still
Inspector Mills, Inspector
I can't attempt to point you in her direction
I was blinded by the look in her eyes
If I had just followed through then I wouldn't be calling you
Highway Highlight (from the box set booklet)
View From The Ground features another Ballard track, "Jody." Capitol
A&R executive Bobby Colomby produced two songs, "Right Before Your Eyes"
(a #45 single for the band) and "Desperate Love." The rest of the album was
produced by Beckley and Bunnell. Among the more interesting of these tracks
was "Inspector Mills," a song by Gerry with a British crime-story scenario.
Beckley offers a critique of his composition: "Again, you gotta be careful
with these tunes, full of sound and fury and signifying nothing. It was near
to a success but kind of involved. You don't want too many of those on an
album. I picked 'Mills' because it's a traditional English name. George
Martin did the voice on the phone saying 'hello?'."
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